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"Trampled
Under Foot"
"My appeal is my soul. My music
is my soul, my voice is my soul and I am so grateful that anyone enjoys or
relates to or even likes to watch it, as long as it is respected as my
soul" ......Danielle Schnebelen, Trampled Under Foot.
Danielle Schnebelen is one of Kansas City's musical
treasures. Stephanie and I first heard her a few summers ago performing in
the band "Fresh Brew". We were hooked immediately. Our Sunday plans for
the rest of the summer included relaxing afternoons enjoying Danielle's
voice. Danielle has received every possible kind of compliment from local
publications, so I will sum them all up - the lady kicks ass. A voice like
hers is not made; you have to be born with it. Imagine our disappointment
when "Fresh Brew" was no longer performing at our Sunday hangout spot the
following spring. Much to our delight we were treated to an occasional
appearance by Danielle during the Sunday jams.
We were brokenhearted when we heard the news that
Danielle was moving to the East Coast to perform with her brothers Nick
and Kris. We found another band to listen to, but we still missed
Danielle's powerful vocals. We made it through most of the summer, and
then got some great news. Danielle was coming back, and Nick and Kris were
coming with her. To appreciate our excitement, you have to understand
something--music is in the Schnebelen blood. Nick, Kris, and Danielle's
parents Lisa Swedlund and the late Robert Schnebelen, were part of a very
popular blues band, "Little Eva & The Works", in Kansas City during the
early 1990's.
The first time we heard the band "Trampled Under Foot" we
were totally blown away. Everything Danielle has in the voice department
is equaled by Kris's drumming and Nick's guitar playing. To top it all
off, both brothers are great vocalists too! "Trampled Under Foot" is a
"must-not-miss" type of band. The on-stage chemistry between these
siblings is unrivaled. With Kris's drums and Danielle's bass laying down a
flawless rhythm section for Nick's powerhouse guitar work, I dare you to
sit still. Throw in the voices of all three in a harmony that only comes
from sharing a bloodline and you have one of Kansas City's top bands. If
you get the chance to see "Trampled Under Foot", run, do not walk, to see
them.
Interview With Danielle Schnebelen
CC: What brought about your interest in music?
Danielle: We come from a long line of musicians. Our great aunt and
uncle were in a mandolin/classical guitar ensemble in the 1910's and it
filtered down, plus, our parents were both musicians as well. They ended
up in many of the same bands; the most well known to be "Little Eva & the
Works", and they always held rehearsals at our house. Anyway, we were
listening to Muddy Waters from the womb, I like to say. So not only was
music in our blood, but blues ended up being the primary music around
other than the Beatles, my personal favorite band, but Pink Floyd, Led
Zeppelin, Frank Zappa, and other great blues/rock bands blues was it.
CC: At what age did each of you begin your
musical training?
Danielle: My musical 'training' began when I was about 10 and my
father realized I had an interest in singing. I'd been taking dance
lessons and continued that for many years, but it was realized around then
that I liked to sing. They were having a rehearsal in the basement and I
started singing to a Koko Taylor song called, "Never Trust a Man", and my
dad turned around and was like, 'Hey!'.
CC: Who are your influences?
Danielle: My influences range pretty far. They started out
obviously with Aretha Franklin and Koko Taylor, and Etta James, but since
I've grown a little more, I've really branched out to Muddy Waters, and
Howlin' Wolf, and Ray Charles, but I've always stuck with Etta; she's
definitely my favorite. As for bass players, I love Willie Dixon and James
Jameson.
CC: Why did you choose the blues as your genre?
Danielle: Like I stated earlier, blues was from the beginning, I'm
just lucky that the blues felt I deserved to tell my stories and those
written before me.
CC: We know that you moved to the East Coast for
a while to perform with your brothers. What brought you back?
Danielle: Brandon Hudspeth (shhhhhhh.........) [Brandon Hudspeth of
the band Levee Town]
CC: Tell us what it means to be able to perform
together.
Danielle: It is amazing, knowing these guys for so long, having the
unexplainable bond with my brothers; forget the natural sibling quarrels,
I can't explain it! I mean, I learned bass to play with them, I love it!
CC: Do you all get along as well as it seems you
do?
Danielle: Refer to my previous answer!
CC: Do you intend to stay in the Kansas City
area for the long term?
Danielle: I don't want to speak for the entire band, but I intend
to play music and pay my bills; wherever it takes me from there is
awesome.
CC: With a voice as strong as yours, do you have
any formal voice training?
Danielle: I was in choir in middle and high school for a while in
each school, but I was never entirely comfortable. Blues jams are a great
way of formal training that they don't tell you about in middle school.
CC: All of the people we ride with love your
music. To what do you attribute your appeal?
Danielle: My appeal is my soul. My music is my soul, my voice is my
soul and I am so grateful that anyone enjoys or relates to or even likes
to watch it, as long as it is respected as my soul.
CC: What was your most embarrassing moment on
stage?
Danielle: Okay, here we go..... I was playing at the Grand
Emporium, pretty early in my 'Rush Hour Rendezvous' days, with a full
house, and I burped very loud into the mic during a pretty important line
in a song. I tried to play it off, but the band laughed a little, God
bless'em, and I did see a few of the people up front jump and chuckle a
little.
CC: Where can our readers find "Trampled Under
Foot" playing this spring and summer?
Danielle: We have so many gigs coming up all over the country,
we're trying to get a West Coast trip together this June, and really the
most efficient way to find our gigs is by going to
www.trampledunderfootkc.com. We are also on My Space under 'Trampled
Under Foot'. |